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Diego Rivera
The World
mk117
1929
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Diego Rivera
Two Woman
mk117
1935
36.5x25.5cm
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Diego Rivera
The woman sale powder
mk117
1936
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Diego Rivera
revolt
mk117
1930
425x134cm
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Diego Rivera
People
mk117
1931
238x188cm
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Diego Rivera
Creep the Crag
mk117
1930
435x254cm
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Diego Rivera
Virgin
mk117
1926-1927
354x588cm
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Diego Rivera
No title
mk117
1926-1927
244x491cm
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Diego Rivera
The Power from underground
mk117
1926-1927
354x555cm
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Diego Rivera
woman cleaning and eagle
mk117
1928
42.9x55.9cm
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Diego Rivera
The Dancing from Tehuantepec
mk117
200x162cm
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Diego Rivera
Hat seller
mk117
1944
121x154cm
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Diego Rivera
Allegory of California
mk117
1931
about 14377x14377cm
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Diego Rivera
Market
m,k117
1929
Oil on canvas
100x78cm
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Diego Rivera
Canoe
mk117
1931
200x160cm
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Diego Rivera
Rivera and Carlo
mk117
1931
100x78.7cm
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Diego Rivera
No title
mk117
1950
26x38.7cm
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Diego Rivera
Flower carrier
mk117
1935
121.3x121.9cm
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Diego Rivera
Dancing
mk117
1935
48.1x60.6cm
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Diego Rivera
The Child in red
mk117
1934
92x66.5cm
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| Diego Rivera
|
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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